Hick Planet
magazine
tryna find the grownups table on a hick planet
an unperiodical:
on arts, endeavors, musings, sites, sights, & other senses
Friday, 2022 Febuary 4th
issue 13
the first 49 1/3
of Woody Allen’s movies
The Critical Creative Contributors & Crews
In listing our rating and rankings
(
Playing
the Parlor
Game:
Estimating & Investigating, Debating & Evaluating, Ranking & Rating the Movies
)
for each movie that we take note of, included are:
•
our rating among the eight tiers:
top:
astounding masterpiece
2nd:
superbly excellent movie
3rd:
extremely good movie
4th:
quite good movie
5th:
fairly good movie
6th:
slightly good movie
7th:
somewhat interesting
8th:
nearly merely diverting
•
our overall ranking among all
49 1/3
movies
•
our ranking:
C:
among the
35 1/3
comedies
DcC:
between the two drama-cum-comedies
D:
among the 12 dramas
Woody Allen has written or co-written the scripts of all the
49 1/3
movies that he’s made (which is to say, that he has directed).
He has been the sole scriptwriter of
41 1/3
of his movies.
For the other eight, he co-wrote the script (these include his first four movies and six of his first eight).
For each of these other eight, we here look at:
•
who the co-scriptwriter was
•
what our rating & rankings of the movie are
|
Woody Allen’s 1st moviemaking period
|
|
the farcical period, 1969-1975
|
|
|
|
|
|
co-scriptwriter
|
|
rating & rankings
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
1969
|
|
Mickey Rose
|
|
7th
|
#48
|
|
|
|
|
C:
|
34
|
|
Take the Money and Run
|
|
1971
|
|
Mickey Rose
|
|
7th
|
#47
|
|
|
|
|
C:
|
33
|
|
Bananas
|
|
1972
|
|
David Reuben
|
|
6th
|
#42
|
|
|
|
|
C:
|
28
|
|
Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)
|
|
1973
|
|
Marshall Brickman
|
|
6th
|
#43
|
|
|
|
|
C:
|
29
|
|
Sleeper
|
|
|
|
Woody Allen’s 2nd moviemaking period
|
|
the comedic masterpieces period, 1977-1998
|
|
|
|
|
|
co-scriptwriter
|
|
rating & rankings
|
|
|
|
|
|
|
1977
|
|
Marshall Brickman
|
|
top
|
#4
|
|
|
|
|
C:
|
3
|
|
Annie Hall
|
|
1979
|
|
Marshall Brickman
|
|
top
|
#1
|
|
|
|
|
C:
|
1
|
|
Manhattan
|
|
1993
|
|
Marshall Brickman
|
|
2nd
|
#23
|
|
|
|
|
C:
|
16
|
|
Manhattan Murder Mystery
|
|
1994
|
|
Douglas McGrath
|
|
top
|
#6
|
|
|
|
|
C:
|
5
|
|
Bullets over Broadway
|
For each of the
49 1/3
movies, we here look at:
•
who the cinematographer (the director of photography) was
•
who the editor was
•
who the production designer (or the art director) was
•
what our rating & rankings of the movie are
|
Woody Allen’s 1st moviemaking period
|
|
the farcical period, 1969-1975
|
|
|
(5 comedies)
|
|
|
|
|
|
cinematographer
|
|
editor
|
|
production designer
|
|
rating & rankings
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1969
|
|
Lester Shorr & *Fouad Said
|
|
James T. Heckert & Paul Jordan & Ron Kalish & **Ralph Rosenblum
|
|
***Fred Harpman
|
|
7th
|
#48
|
|
|
|
|
C:
|
34
|
|
Take the Money and Run
|
|
1971
|
|
Andrew M. Costikyan
|
|
Ralph Rosenblum & Ron Kalish
|
|
Ed Wittstein
|
|
7th
|
#47
|
|
|
|
|
C:
|
33
|
|
Bananas
|
|
1972
|
|
David M. Walsh
|
|
James T. Heckert & Eric Albertson
|
|
Dale Hennesy
|
|
6th
|
#42
|
|
|
|
|
C:
|
28
|
|
Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)
|
|
1973
|
|
David M. Walsh
|
|
Ralph Rosenblum & Ron Kalish & O. Nicholas Brown
|
|
Dale Hennesy
|
|
6th
|
#43
|
|
|
|
|
C:
|
29
|
|
Sleeper
|
|
1975
|
|
Ghislain Cloquet
|
|
Ralph Rosenblum & Ron Kalish & ****George Hively
|
|
***Willy Holt
|
|
5th
|
#38
|
|
|
|
|
C:
|
25
|
|
Love and Death
|
|
|
|
Woody Allen’s 2nd moviemaking period
|
|
the comedic masterpieces period, 1977-1998
|
|
|
(19 1/3
comedies, 1
drama-cum-comedy,
3 dramas)
|
|
|
|
|
|
cinematographer
|
|
editor
|
|
production designer
|
|
rating & rankings
|
|
|
|
|
|
|
1977
|
|
Gordon Willis
|
|
Wendy Greene Bricmont & Ralph Rosenblum
|
|
Mel Bourne
|
|
top
|
#4
|
|
|
|
|
C:
|
3
|
|
Annie Hall
|
|
1978
|
|
Gordon Willis
|
|
Ralph Rosenblum
|
|
Mel Bourne
|
|
4th
|
#35
|
|
D:
|
11
|
|
|
|
|
Interiors
|
|
1979
|
|
Gordon Willis
|
|
Susan E. Morse
|
|
Mel Bourne
|
|
top
|
#1
|
|
|
|
|
C:
|
1
|
|
Manhattan
|
|
1980
|
|
Gordon Willis
|
|
Susan E. Morse
|
|
Mel Bourne
|
|
top
|
#7
|
|
|
|
|
C:
|
6
|
|
Stardust Memories
|
|
1982
|
|
Gordon Willis
|
|
Susan E. Morse
|
|
Mel Bourne
|
|
5th
|
#40
|
|
|
|
|
C:
|
27
|
|
A Midsummer Night’s Sex Comedy
|
|
1983
|
|
Gordon Willis
|
|
Susan E. Morse
|
|
Mel Bourne
|
|
4th
|
#32
|
|
|
|
|
C:
|
21
|
|
Zelig
|
|
1984
|
|
Gordon Willis
|
|
Susan E. Morse
|
|
Mel Bourne
|
|
3rd
|
#29
|
|
|
|
|
C:
|
19
|
|
Broadway Danny Rose
|
|
1985
|
|
Gordon Willis
|
|
Susan E. Morse
|
|
Stuart Wurtzel
|
|
3rd
|
#28
|
|
|
|
|
C:
|
18
|
|
The Purple Rose of Cairo
|
|
1986
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Stuart Wurtzel
|
|
top
|
#3
|
|
|
|
|
C:
|
2
|
|
Hannah and Her Sisters
|
|
1987
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#9
|
|
|
|
|
C:
|
7
|
|
Radio Days
|
|
1987
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
6th
|
#41
|
|
D:
|
12
|
|
|
|
|
September
|
|
1988
|
|
Sven Nykvist
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
4th
|
#33
|
|
D:
|
10
|
|
|
|
|
Another Woman
|
|
1989
|
|
Sven Nykvist
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
5th
|
#38v
|
|
below
|
C:
|
25
|
|
Oedipus Wrecks
(a vignette; one of three that comprise the anthology movie
New York Stories)
|
|
1989
|
|
Sven Nykvist
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#17
|
|
|
DcC:
|
|
1
|
|
Crimes and Misdemeanors
|
|
1990
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#10
|
|
|
|
|
C:
|
8
|
|
Alice
or (original working title)
The Magical Herbs of Dr. Yang
|
|
1991
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#12
|
|
|
|
|
C:
|
10
|
|
Shadows and Fog
|
|
1992
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#15
|
|
|
|
|
C:
|
12
|
|
Husbands and Wives
|
|
1993
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
2nd
|
#23
|
|
|
|
|
C:
|
16
|
|
Manhattan Murder Mystery
|
|
1994
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#6
|
|
|
|
|
C:
|
5
|
|
Bullets over Broadway
|
|
1994
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
8th
|
#49
|
|
|
|
|
C:
|
35
|
|
Don’t Drink the Water
(a made-for-TV movie; the only one)
|
|
1995
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#11
|
|
|
|
|
C:
|
9
|
|
Mighty Aphrodite
|
|
1996
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#5
|
|
|
|
|
C:
|
4
|
|
Everyone Says I Love You
(a musical comedy; the only musical)
|
|
1997
|
|
Carlo Di Palma
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#19
|
|
|
|
|
C:
|
13
|
|
Deconstructing Harry
|
|
1998
|
|
Sven Nykvist
|
|
Susan E. Morse
|
|
Santo Loquasto
|
|
top
|
#14
|
|
|
|
|
C:
|
11
|
|
Celebrity
|
|
|
|
Woody Allen’s 3rd moviemaking period
|
|
the interregnum period, 1999-2004
|
|
|
(4 comedies, 1
drama-cum-comedy,
1 drama)
|
|
|
|
|
|
cinematographer
|
|
editor
|
|
production designer
|
|
rating & rankings
|
|
|
|
|
|
|
1999
|
|
Fei Zhao
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
4th
|
#31
|
|
D:
|
9
|
|
|
|
|
Sweet and Lowdown
|
|
2000
|
|
Fei Zhao
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
5th
|
#36
|
|
|
|
|
C:
|
23
|
|
Small Time Crooks
|
|
2001
|
|
Fei Zhao
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
4th
|
#34
|
|
|
|
|
C:
|
22
|
|
The Curse of the Jade Scorpion
|
|
2002
|
|
Wedigo von Schultzendorff
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
4th
|
#30
|
|
|
|
|
C:
|
20
|
|
Hollywood Ending
|
|
2003
|
|
Darius Khondji
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
6th
|
#44
|
|
|
|
|
C:
|
30
|
|
Anything Else
|
|
2004
|
|
Vilmos Zsigmond
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
3rd
|
#26
|
|
|
DcC:
|
|
2
|
|
Melinda and Melinda
|
|
|
|
Woody Allen’s 4th moviemaking period
|
|
the dramatic masterpieces period, 2005-2013
|
|
|
(4 comedies, 5 dramas)
|
|
|
|
|
|
cinematographer
|
|
editor
|
|
production designer
|
|
rating & rankings
|
|
|
|
|
|
|
2005
|
|
Remi Adefarasin
|
|
Alisa Lepselter
|
|
Jim Clay
|
|
top
|
#16
|
|
D:
|
4
|
|
|
|
|
Match Point
|
|
2006
|
|
Remi Adefarasin
|
|
Alisa Lepselter
|
|
Maria Djurkovic
|
|
5th
|
#39
|
|
|
|
|
C:
|
26
|
|
Scoop
|
|
2007
|
|
Vilmos Zsigmond
|
|
Alisa Lepselter
|
|
Maria Djurkovic
|
|
top
|
#13
|
|
D:
|
3
|
|
|
|
|
Cassandra’s Dream
|
|
2008
|
|
Javier Aguirresarobe
|
|
Alisa Lepselter
|
|
Alain Bainée
|
|
top
|
#8
|
|
D:
|
2
|
|
|
|
|
Vicky Cristina Barcelona
|
|
2009
|
|
Harris Savides
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
3rd
|
#25
|
|
|
|
|
C:
|
17
|
|
Whatever Works
|
|
2010
|
|
Vilmos Zsigmond
|
|
Alisa Lepselter
|
|
Jim Clay
|
|
top
|
#18
|
|
D:
|
5
|
|
|
|
|
You Will Meet a Tall Dark Stranger
|
|
2011
|
|
Darius Khondji
|
|
Alisa Lepselter
|
|
Anne Seibel
|
|
2nd
|
#20
|
|
|
|
|
C:
|
14
|
|
Midnight in Paris
|
|
2012
|
|
Darius Khondji
|
|
Alisa Lepselter
|
|
Anne Seibel
|
|
6th
|
#45
|
|
|
|
|
C:
|
31
|
|
To Rome with Love
|
|
2013
|
|
Javier Aguirresarobe
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
top
|
#2
|
|
D:
|
1
|
|
|
|
|
Blue Jasmine
|
|
|
|
Woody Allen’s 5th moviemaking period
|
|
the most recent period, 2014-2020 (so far)
|
|
|
(3 comedies, 3 dramas)
|
|
|
|
|
|
cinematographer
|
|
editor
|
|
production designer
|
|
rating & rankings
|
|
|
|
|
|
|
2014
|
|
Darius Khondji
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
5th
|
#37
|
|
|
|
|
C:
|
24
|
|
Magic in the Moonlight
|
|
2015
|
|
Darius Khondji
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
2nd
|
#21
|
|
D:
|
6
|
|
|
|
|
Irrational Man
|
|
2016
|
|
Vittorio Storaro
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
3rd
|
#27
|
|
D:
|
8
|
|
|
|
|
Café Society
|
|
2017
|
|
Vittorio Storaro
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
2nd
|
#24
|
|
D:
|
7
|
|
|
|
|
Wonder Wheel
|
|
2018
|
|
Vittorio Storaro
|
|
Alisa Lepselter
|
|
Santo Loquasto
|
|
6th
|
#46
|
|
|
|
|
C:
|
32
|
|
A Rainy Day in New York
|
|
2020
|
|
Vittorio Storaro
|
|
Alisa Lepselter
|
|
Alain Bainée
|
|
2nd
|
#22
|
|
|
|
|
C:
|
15
|
|
Rifkin’s Festival
|
|
|
|
*
|
|
credited as locations
|
|
**
|
|
credited as editorial consultant
|
|
***
|
|
credited as art director (no one credited as production designer)
|
|
****
|
|
uncredited
|
|
|
|
THE READER IS INVITED TO TAKE NOTE OF THIS MESSAGE
|
Copyright 2022 The Cool Publication Company.